|
Allan Kaprow， Robert Smithson， and the Limits to Art |
Philip Ursprung |
2013 |
University of California Press |
|
Art and Politics: A Small History of Art for Social Change Since 1945 |
Claudia Mesch |
2013 |
I B Tauris & Co Ltd |
|
Art in the Public Interest |
|
1993 |
Da Capo Pr |
|
Art Power |
Boris Groys |
2013 |
The MIT Press |
|
Art Scenes |
Pablo Helguera |
2012 |
Jorge Pinto Books |
|
Art Since 1900: Modernism， Antimodernism， Postmodernism |
Hal Foster |
2011 |
Thames & Hudson |
|
Articles on Installation Art， Including: Video Art， Land Art， Site-Specific Art， Sound Installation， Dia Art Foundation， Project Blinkenlights， the Du |
Hephaestus Books |
2011 |
Hephaestus Books |
|
Artificial Hells: Participatory Art and the Politics of Spectatorship |
Claire Bishop |
2012 |
Verso |
|
Artwalks In New York: Delightful Discoveries of Public Art and Gardens in Manhattan， Brooklyn， Queens， the Bronx， and Staten Island |
Marina Harrison |
2004 |
New York Univ Pr |
|
BACK TO THE FUTEURE:Alfred Jensen，Charmion von wiegand <Simon Gouverneur and the Cosmic Conversation |
Essays by Carol centano， |
|
LUMA |
|
But Is It Art?: The Spirit of Art As Activism |
|
1994 |
Bay Pr |
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Collectivism After Modernism: The Art of Social Imagination After 1945 |
|
2007 |
Univ of Minnesota Pr |
|
Dark Matter: Art and Politics in the Age of Enterprise Culture |
Gregory Sholette |
2010 |
Pluto Press |
|
Dialogues in Public Art |
Tom Finkelpearl |
2001 |
The MIT Press |
|
Essays on the Blurring of Art and Life |
Allan Kaprow |
2003 |
University of California Press |
|
Forgetting the Art World |
Pamela M. Lee |
2012 |
The MIT Press |
|
Local Acts: Community-based Performance In The United States |
Jan Cohen-Cruz |
2005 |
Rutgers Univ Pr |
|
Locating the Producers: Durational Approaches to Public Art |
|
2011 |
Valiz |
|
Mapping the Terrain: New Genre Public Art |
|
1994 |
Bay Pr |
|
Museums and Communities: Curators， Collections， and Collaboration |
|
2013 |
Bloomsbury Academic |
|
New Relations in Art and Society / Neue Bezugsfelder In Kunst Und Gesellschaft |
|
2012 |
Jrp Ringier |
|
Oral History in the Visual Arts |
|
2013 |
Bloomsbury Academic |
|
Public - Art - Space. Zum Oeffentlichkeitscharakter der Minimal Art |
Constanze von Marlin |
2008 |
Vdg |
|
Sensible Politics: The Visual Culture of Nongovernmental Activism |
|
2012 |
Zone Books |
|
Service Media: Is It ”Public Art”? or Is It ”Art in Public Space? |
|
2013 |
Green Lantern Press |
|
Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities |
Erika Lee Doss |
1995 |
Smithsonian Inst Pr |
|
Sven Augustijnen: Spectres |
Sven Augusttijnen |
2011 |
as a Publishing |
|
The One and the Many: Contemporary Collaborative Art in a Global Context |
Grant H. Kester |
2011 |
Duke Univ Pr (Tx) |
|
The Practice of Public Art |
|
2010 |
Routledge |
|
The Public Arts |
Gilbert Seldes |
1994 |
Transaction Pub |
|
What We Made: Conversations on Art and Social Cooperation |
Tom Finkelpearl |
2012 |
Duke Univ Pr (Tx) |
|
Where Is the Public in Public Art? |
Corrinn Conard |
2008 |
VDM Verlag |
